When the Audience Knows What the Characters Don't
His character is far from idealbut upon seeing a production of Henrik Ibsens A Dolls House audiences are left with an important question. Verbal irony sets forth a contrast between what is literally said and what is actually meant.
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The study I mentioned earlier discovered that 50 characters is the sweet spot for Channel Keywords.
. But the soliloquies also serve to make the audience complicit with Frank and Iago. Thats why you want to stick to around 5-7 keywords which in most cases is approximately 50-75 characters. Once you go above 50 characters you start to have diminishing returns.
Even as the audience might judge Franks power-hungry schemes it relishes those schemes right along with him. In dramatic irony the state of the action or what is happening as far as what the reader or viewer knows is the reverse of what the players or characters suppose it to be. Their soliloquies therefore create dramatic irony as the audience knows what Frank and Iago are thinking and planning while the other characters dont.
Should we feel sorry for Torvald Helmer. One of the two main characters in the play Torvald is the husband whose dolls house is torn apart at the end of the show. Though there are many forms of irony as a literary device its three main forms are verbal dramatic and situational.
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